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Is it all too
easy for politicians and the media to blame gangsta rappers for
the fact that young people carry guns and knives? Could it be that
the alienated youths that do so have been far more influenced by
other factors such as poor education or family breakdown? |
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It is very easy for politicians to attack modern rap music; much
of it is openly aggressive, materialistic and misogynistic. When
British politician David Cameron launched into the fray, attacking
BBC Radio 1 for playing gangsta rap, the inference was that the
lyrics cause young people to become more violent, sexist and intolerant.
Cameron is quoted as saying "I would say to Radio 1, do you
realize that some of the stuff you play encourages people to carry
guns and knives?"
The Daily Mail agreed, saying "aggressively violent lyrics
by the likes of 50 Cent, Snoop Dogg and Dr Dre do have an impact
on young people and, deep down, the powers-that-be at the BBC know
that. And yet they do nothing, frozen by their earnest, middle-class,
middle-aged desire to be fashionable and in touch with what's happening
on the street."
The BBC hit back, saying "As long as there have been turntables,
rhyming and excessively baggy clothes, there have been politicians
hammering hip hop's practitioners for inciting violence." The
Sunday Herald agreed. "For close on 20 years urban music has
been a favourite excuse for a moral panic among politicians. Cameron’s
political forebears once believed that Elvis caused teenagers to
have sex. He holds that 50 Cent and Snoop Dogg get folk killed.
What if the Camerons of this world actually cause people to choose
the music that, he says, causes crime?" |
50
Cent and David Cameron |
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Black
boys need more role models who do not glamorise crime, guns or drugs,
according to a new report produced for the Department for Communities
and Local Government. They need positive role models from within
their own communities to help tackle underachievement, otherwise
the problem could cost the UK £24bn in terms of lost taxes,
criminal justice and healthcare costs over the next 50 years.
Reach
Report |
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Grammy Award
winner Rhymefest has written this response to David Cameron's comments
on rap music.
After reviewing the
comments made by you on the state of hip hop and hip hop culture,
I tend to agree with you more than not. I agree that rap music and
urban music depicts a life in the inner cities and poor communities
that is often violent. I also agree that by glorifying and promoting
violence via radio, TV and videos, it does give an acceptance for
that behaviour that is then negative for the community. |
As
a Grammy Award-winning artist, who has worked and written with many
other rap artists such as Kanye West and ODB, I myself on occasion
am guilty of contributing to the culture. I believe that the hip-hop
community is definitely in a state of denial about our complicity
with the glorification of drugs and violence. If I was a middle-aged
politician who knew nothing about rap music and I turned on the
radio, then I would understand exactly the way you feel about urban
music. However, although I agree with you that we are role models
that affect our community and our music does play a role in people’s
behaviour, beneath the surface there are artists making changes
and making the difference and there is more to rap than what you
see. If you look closer and you examine beyond what is promoted
to you as hip-hop, you’ll see artists such as Kanye West,
Common, Estelle, Lupe Fiasco and myself, Rhymefest, who don’t
make foul music at all. Myself and Kanye West won a Grammy for this
and it is a song that is recognised worldwide. Common, who made
an album called Be, conveyed that we can just be ourselves and be
free to explore out own spirits and it has no negative connotation
to it at all. I think it is very easy to explore the negatives and
it is very easy to exploit the bad in rap music. What I think you
need to see, Mr Cameron, is the other side to rap music. If you
don’t like it then you can come out and say that you don’t
but I know that you will like it. My challenge is to ask that you
sit down and have a cup of tea with me. In fact, let me come and
perform for you. I am sure you will see that rap music is more than
murder music or knife culture. If you truly believe this is a democracy
then sit down and discuss with me the issues that you see. And if
you are correct, and your opinion of rap music is the same, then
we should come together with the community; rappers, politicians
and radio DJs, and have a wider discussion. I think this is a better
way to convey a point and make change than to just be against what
appears to be rap culture. Because, Mr Cameron, this generalisation
is not all of us, it’s just a few bad apples that spoil the
bunch. So I say to you, and to all of us, let’s have a real
discussion. Let’s solve the problem of the rap community in
a civilised way and in a way that music can still be entertaining.
This way it can benefit everyone. Amen. I look forward to your response.
— Rhymefest |
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Are
politicians taking the easy way out by blaming gangsta rap for
society's ills? Do you agree with Rhymefest's remarks? Let us
know what you think. |
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Myself, I am a hip hop and R&B fan to the core. I love the how the music vibrates through my inner-being when I dance or just sit back and listen. I love to hear the creative rhythms and rhymes and the measured disbursement of harmony and raw passion of the street and soul of the artist. But… What I don't like is the artists who are glamourized and popularized for nonsensical reasons. If you are an artist, you have a duty to the community in which you serve. And yes, you do serve a community. Your music doesn't serve yourself. Now, you have two choices; you can uplift that community with positive messages or you can disseminate negative messages that perpetuate violence, racism, disrespect, sexism and pure vulgarity. The bottom line is, music is a mirror into the inner soul. If this is your inner soul, when you become popular, this is what impressionable minds emulate. Young children and teenagers both are quite impressionable. Like it or not, they learn by watching and imitating the actions of the adults they most identify with. Think about the role models many inner city kids have? Common, many of these artists are from the streets. Do you not realize you position here? But what to some choose to do? This is the seriousness of the matter. Young kids dealing and taking drugs, deeply rooted in violent activities the lead down a one way path to destruction that strips away they moral fabric and the very survivability of society. From that standpoint I would say that artists like Sean Paul, EB40, Eminem, Lil' Kim, 50 Cent, Sean Puffy Combs and a host of others (this list could literally go on for pages) have a lot to answer for. But... This is not limited to Hip Hop. Country music has plenty of artists in the exact same scenarios, just a different cultural spin. So does most genres of rock music. When people say life is about choice, they don't get it. Our children are our precious resource in this world. Young and impressionable, they are not making choices, they are emulates what adults teach the. They represent the future of our society and our very existence of humanity. It is our duty to impress upon the minds of our child positivity that will help them mature into adults that can go on to leave this world in a better state in which they found it. However, as adults we are not helping that cause. As a matter-of-fact, we are all but extinguishing it. How many young people talk about say Princess Diana? Bill Cosby? Will Smith? Ghandi? Alicia Keyes? Mother Teresa? Common? KRS One? Usher? Mario? These people are seen as weak. Our young people do not want to emulate them. It's not cool, en vogue or even reality. Who has set that trend? Us, as adults. Many of our young children think it's cool or essential to carry guns, do drugs, sell drugs, serve time in prison, rob, steal cheat, lie murder, rob etc. They even think these things are necessary to survive. But rarely do these things insure survival. As best, they insure you will make enemies and eventually the lifestyle will catch up will you and the price one pays is with their soul and then eventually their life. But how many artists are really putting that message out there? Very few. So perhaps the old white politicians are not so far off. Perhaps they just lack the ability to translate their message into a language that can be understood by the common person, without the prejudice and stereo-types. Perhaps Rhymefest should write an album that does translate this effectively? Would it sell? If you save one child, you would have made more in return than 100 Platinum albums could ever buy.
— Kenn |
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I
agree with Rhymefest. Mainstream rappers reflect a certain group
of people's real feelings and beliefs. There have been gangs and
street violence long before rappers started talking about it.
— Jason |
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I
think that rapping’s all good. I may be a girl but I dig my
rap music and if you have you have a problem let me tell you this.
If you have ever watched the mini series Rome then you will see
that there is a lot of crime being committed and rap and modern
hip hop music weren’t even around. So it’s not the rap
because how can it be when murder and violence were committed long
ago. I’m telling you, you just can’t because it wasn’t
the rappers who caused the struggle in the ghetto it ain’t
the rap that caused violence and murder. So before you judge learn
the facts. —
Shenz |
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Each
style of music relates to different people but in theory they’re
all putting across the same point! So why discriminate against rap
and hip hop and not rock or mosher stuff! They both swear as equally
or is it that the upper class people don’t like the truth
behind the song? —
Rachel |
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To
me, politicians play no part in this world when they're blaming
gangsta rap for society's ills. People will carry on listening to
rap. Politicians can either help society or blame it, but they choose
to blame. Many people would be for rap, but I see it as just a way
of the devil getting to us, and it hurts to see many listening to
it. In a way I do agree that gangsta rap has played a part in society's
ills, but it's about the person. Life is all about choice.
— Lisa |
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Read more and discuss this article in the blog |
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Advertising
Standards Authority Schools and Colleges resource featuring an activity
about a banned Reebok campaign featuring the rapper 50 Cent.
Social
Responsibility |
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Queens
Reigns Supreme: Fat Cat, 50 Cent, and the Rise of the Hip Hop Hustler
This engrossing portrait of the trigger-happy hip-hop demimonde
explores the origins of the gangsta-rap ethos in southeast Queens,
home to legendary narcotics gangs and many of rap's biggest stars,
including 50 Cent and Ja Rule. Ethan Brown begins by chronicling
the careers of three Queens drug kingpins during the 1980s crack
epidemic, when maintaining a fearsome reputation for violence was
a must for doing business. He continues through to the 1990s, when
a younger generation of hip-hop artists and impresarios idolized
such criminals and adopted their twisted moral economy of street
cred. Rappers dissed rivals' lack of a criminal background while
burnishing their own; the war of rhymes occasionally escalated into
gunplay between hostile entourages; prison stints and shoot-out
wounds were coveted markers of hoodlum authenticity. Drawing on
interviews with gangsters and rappers alike, Brown looks behind
the tabloid headlines.
Available
to buy from amazon.com
and amazon.co.uk |
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Why
White Kids Love Hip Hop
Why White Kids Love Hip-Hop is a provocative book that reveals how
hip-hop has altered conventional 'racial politics.' Bakari Kitwana
does not shy away from the lingering truths, stereotypes, and contradictions
related to hip-hop, that result from a long-standing racial hierarchy.
He is clear that everyone can enjoy and experience hip-hop-but not
at the expense of young blacks who now, as in the beginning, remain
its driving creative force. Kitwana has provided a myth-busting,
stereotype-shattering, paradigm-shifting examination of the complex
relationship between white youth and black popular culture. Eschewing
tired cliches, refusing racial pieties, and resisting old habits
of thought, he clears a brilliant path to fresh insight. In fact,
it's crucial for understanding youth culture and contemporary racial
politics.
Available
to buy from amazon.com
and amazon.co.uk |
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Noise
and Spirit: The Religious and Spiritual Sensibilities of Rap Music
Rap
music is often seen as a Black secular response to pressing issues
of our time. Yet rap has deep connections to African American religious
traditions. Noise and Spirit explores the diverse religious dimensions
of rap stemming from Islam (including the Nation of Islam and Five
Percent Nation), Rastafarianism, and Humanism, as well as Christianity.
The volume examines rap's dialogue with religious traditions, from
the ways in which Islamic rap music is used as a method of religious
and political instruction to the uses of both the blues and Black
women's rap for considering the distinction between God and the
Devil. The first section explores rap's association with more easily
recognizable religious traditions and communities such as Christianity
and Islam. The next presents discussions of rap and important spiritual
considerations, including on the topic of death. The final unit
wrestles with ways to theologise about the relationship between
the sacred and the profane in rap.
Available
to buy from amazon.com
and amazon.co.uk |
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Jesus
and the Hip Hop Prophets: Spiritual Insights from Lauryn Hill and
Tupac Shakur
Cleverly
organized into seven short "tracks" instead of chapters,
this slim volume offers reflections on the lyrics of two popular
recording artists, Lauryn Hill and the late 2pac Shakur. That Teter,
director of two More Than Conquerors campus ministries, and Gee,
pastor of Fountain of Life Family Worship Center, are knowledgeable
fans of hip-hop and admirers of the two featured lyricists is unmistakable.
Equally evident is their desire to enable their fellow fans to discover
the spiritual truths embedded in the lyrics. The book suffers from
the typical awkwardness of the first-person narratives of two writers-the
"I, Alex" and "My (John's)" type of construction.
Still, the book offers a valuable look at the connection between
the harshness of urban life and the prophetic warnings from two
singers who managed to find hope amid difficult circumstances.
Available
to buy from amazon.com
and amazon.co.uk |
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Gun violence
seems to follow the rapper 50 Cent, who has himself been shot nine
times, and always wears a bulletproof vest. Now it's claimed that
'Fiddy' makes a profit out of the misery of parents who are burying
their children.
Is
50 Cent Bulletproof?: Rap Music and Violence |
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Is it possible
to have holy hip hop? According to G Craige Lewis of The Truth Behind
Hip Hop the answer is no. He claims that hip-hop is not music, but
a religion. However, many take a different view, believing that
the church can use rap music to reach out to young people.
Holy
Hip Hop |
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For young people
who want to listen to grime and UK garage their main source is pirate
radio. For many, the pirate stations are a breeding ground for new
talent waiting to break into the mainstream. The authorities take
a different view; they say that pirate radio is a public nuisance
linked to crime.
Pirate
Radio: Raising Talent or Funding Crime? |
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